ࡱ> bdaa :+jbjb,, P]NNddddddd  y62L~~~~~~~,R]d~~~~~dd~~3~d~d~x4"dddd~dd&   I0ydD   Bauhaus Architecture in Dessau Walter Gropius, founder of the Bauhaus in 1919 and its director until 1928, designed the building on behalf of the city of Dessau and in cooperation with Carl Fieger, Ernst Neufert and others in his private architectural practice the Bauhaus did not have its own department of architecture until 1927. The Bauhaus workshops were integrated within the buildings interior design. The city of Dessau provided money for the new school building on a development site close to the train station and also for the Master Houses, and remained the owner of both properties. In his design, Walter Gropius refined architectonic ideas he first put into practice before WW I in the construction of the Fagus-Werke in Alfeld an der Leine. In Dessau as in Alfeld, the glass curtain wall suspended in front of the load-bearing framework defines the exterior of the workshop wing and openly shows the constructive elements. Gropius, rather than visually amplifying the corners of the cubic body of the building, allowed the glass surface to overlap the edges, thereby creating the impression of lightness. Gropius consistently separated the parts of the Bauhaus building according to their functions and designed each differently. He thereby arranged the different wings asymmetrically in relation to what is today the Bauhausstrae and the Gropiusallee respectively. In order to appreciate the overall design of the complex, the observer must therefore move around the whole building. There is no central viewpoint. The glazed, three-storey workshop wing, the block for the vocational school (also three storeys high) with its unostentatious rows of windows, and the five-storey studio building with its conspicuous, projecting balconies are the main elements of the complex. A two-storey bridge which housed, i.e. the administration department and, until 1928, Gropius architectural practice, connects the workshop wing with the vocational school. A single-storey building with a hall, stage and refectory, the so-called Festive Area, connects the workshop wing to the studio building. The latter originally featured 28 studio flats for students and junior masters, each measuring 20 m. The faade of the students dormitory is distinguished in the east by individual balconies and in the south by long balconies that continue around the corner of the building. The entire complex is rendered and painted mainly in light tones, creating an attractive contrast to the window frames, which are dark. For the interior, the junior master of the mural workshop, Hinnerk Scheper, designed a detailed colour plan that, by differentiating between supporting and masking elements through the use of colour, aimed to accentuate the construction of the building. Under pressure from the National Socialists, the Hochschule fr Gestaltung (school of design) at the Bauhaus was closed in 1932. After suffering heavy bomb damage towards the end of the war, the building was provisionally repaired. Designated a protected monument in 1974, it was comprehensively restored for the first time in 1976. With its declaration as a World Cultural Heritage Site, it was decided to carry out further extensive restoration, which will be completed in 2006. In 1994, the Bauhaus Dessau Foundation was called into existence. The Bauhaus has thereby once more become a vital place for experimental design, research and teaching. Its work concerns the cultivation, research and communication of the Bauhaus legacy, and puts a particular emphasis on the theme of urbanism. Not far from the Bauhaus Building are the Masters Houses, which the avant-garde of European Modernism occupied from 1926 on. In addition to Gropius Moholy-Nagy, Feininger, Muche, Schlemmer, Kandinsky and Klee lived here. The Masters Houses, which are an excellent example of Gropius white Modernism, stand out for their individual interior colouring. The five surviving houses were renovated in 2002. The Directors House, which was largely destroyed in World War II, was rebuilt in the traditional manner in the 1950s. Bauhaus Building architect Walter Gropius( (1925/26) daily 10 a.m. to 6 p.m.( HYPERLINK "http://www.bauhaus-dessau.de/en/history.asp?p=bauhausbuilding" Master Houses ( (The Kandinksy Klee Master House, The Feininger Master House, The Muche Schlemmer Master House)( architect Walter Gropius( (1925/26) ( Ebertallee 59-71 Tuesday to Sunday 10 a.m. to 5 p.m. Combined ticket: Euro 8 A completely new functional building erected in 1928/29, the Arbeitsamt (Employment Office), was a prototype that many people consider to be Gropius finest piece of architecture in Dessau on account of its fascinating rotunda. Employment Office architect Walter Gropius (1927-29)( August-Bebel-Platz, Dessau ( Opening hours: Monday 8 a.m to 12 a.m.; Tuesday 8 a.m. to 12 a.m. and 1.30 p.m. to 5.30 p.m.; Thursday 8 a.m. to 12 a.m. and 1.30 p.m. to 3.30 p.m.; Friday closed. Carl Fieger, an architectural draughtsman in Gropius building studio, created two buildings of international rank in Dessau, the Kornhaus restaurant right on the Elbe embankment and his own house near the Trten Estate. Kornhaus architect Carl Fieger (1929-30)( Kornhausstrae 146 daily 10 a.m. to 11 p.m In 1925, Walter Gropius began planning the Trten Estate. Dessau, then an up-and-coming industrial town, was very interested in experiments with rationalised building procedures that would enable low-cost accommodation to be built for blue-collar and white-collar workers. Between 1926 and 1928, 314 houses with gardens were built as a semi-rural residential development. Next to the estate, the Bauhaus Master Georg Muche and an architecture student, Richard Paulick, built an experimental building made of steel plates, the Stahlhaus (Steel House) in 1926/27. On the edge of the estate are the Laubenganghuser (Balcony Access Houses). Designed by the second Bauhaus Director, Hannes Meyer, and the building department, they represent a social aspiration rather than a technical or aesthetic experiment. Trten Estate architect Walter Gropius (1926-28)( Doppelreihe (construction phase 1926) ( Damaschkestrae (construction phase 1927)( Nordweg, Kleinring, Mittelring (construction phase 1928)( HYPERLINK "http://www.bauhaus-dessau.de/en/history.asp?p=t%F6rten"  Moses-Mendelssohn-Centre Mittelring 38 Monday to Friday 10 a.m. to 4 p.m( . Saturday and Sunday 1 p.m. to 4 p.m( . Admission fee: Euro 2 Konsum Building Am Dreieck 1 No admission HYPERLINK "http://www.bauhaus-dessau.de/en/history.asp?p=konsum" Housing with Balcony Access architect Hannes Meyer (1929-30) ( Peterholzstrae 40, 48, 56 Mittelbreite 6, 14 No admission Steel House architects Georg Muche and Richard Paulick (1926-27) ( Sdstrasse 5 ( Tuesday - Sunday 10 a.m. to 5 p.m. Admission free( HYPERLINK "http://www.bauhaus-dessau.de/en/history.asp?p=stahlhaus" Guided tours of the Estate Start at the Steel House Tuesday to Sunday 3 p.m.( Fee: Euro 4 Fieger House architect Carl Fieger (1927)( Sdstrasse 6 ( No admission Rd*,02PHZ.nj###$$n%p%r%ᔅyĹĹĹg#jhYhYhYhYCJUaJhYhYhYhY>*CJaJjhYhYhYhYCJUaJ#jhYhYhYhYCJUaJ%jhYhYhYhYCJOJQJUaJhYhYhYhYCJaJhYhYhYhY>*CJaJ hYhYhYhY5B*CJaJphfffhYhYhYhYCJaJhYhYhYhYCJhYhYhYhY>*CJ$ Wc Qf24\2h $1$7$8$H$a$gdYhY$a$gdYhY:+np!j#l### $v$x%z%%%\&&&&&&h''' $1$7$8$H$a$gdYhYr%t%v%x%z%%%&&&&&`'b'f'h'''Z(t((b)d)))))******:+ǻǻҝһһҋүǻ#jhYhYhYhYCJUaJ#jhYhYhYhYCJUaJhYhYhYhY>*CJaJhYhYhYhY>*CJaJhYhYhYhYCJaJhYhYhYhYCJaJjhYhYhYhYCJUaJ&hYhYhYhY>*B*CJaJphfffwhfff '(@(Z(\(t(((D)))**\*****+ +:+ $1$7$8$H$a$gdYhY)0P:pYhY}. 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